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c. 1445 – May 17, 1510. Italian painter.

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Jacopo de Barbari
Triton and Nereid

ID: 42346

Jacopo de Barbari Triton and Nereid
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Jacopo de Barbari Triton and Nereid


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Jacopo de Barbari

active in Nuremberg 1500-1515/16  Related Paintings of Jacopo de Barbari :. | with Partridge and Iron Gloves | The Virgin and child Between John the Baptist and Anthony Abbot (mk05) | Still-Life with Partridge and Iron Gloves | Portrait of Heinrich | Triton and Nereid |
Related Artists:
Thomas sidney cooper,R.A.
1803-1902 English painter. He was encouraged in his ambition to become an artist by Sir Thomas Lawrence and the animal painter Abraham Cooper (no relation; 1787-1868). He entered the Royal Academy Schools, London, in 1823. He subsequently taught art in Brussels where he met Eugene Verboeckhoven, whose work had a profound influence on him. Through Verboeckhoven he came to appreciate the work of such 17th-century Dutch painters as Aelbert Cuyp and Paulus Potter. In 1831 he returned to London, exhibiting at the Royal Society of British Artists. He exhibited 48 pictures at the British Institution between 1833 and 1863. The majority of his work was, however, exhibited at the Royal Academy; from 1833 to 1902 he exhibited 266 works there without a break,
PEETERS, Clara
Flemish Baroque Era Painter, 1594-1657
michael pacher
Michael Pacher (c. 1435??August 1498) was an Austrian Tyrolean painter and sculptor active during the last quarter of the 15th century. His best-known work is the altarpiece at the church in the village of St. Wolfgang, Austria. This altarpiece contains scenes from the life of Jesus and the Virgin Mary. His influence is primarily North Italian, and his work shares characteristics with that of painters such as Andrea Mantegna; however, German influences are also evident in his work, especially in his wood sculpture. He was most active from 1462 until his death. Pacher was one of the earliest artists to introduce the principles of Renaissance painting into Germany. He was a comprehensive artist with a broad range of skills: sculpting, painting, and architecture of complex wood and stone. He painted structures for altarpieces on a scale unparalleled in North European art. His work is frequently correlated with the work of Andrea Mantegna.






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